The urban landscape is littered with walls. Walls of brick, concrete, wood, and glass. Each of these walls serving their own purpose. To protect the residents within from the element, to retain soil or water from escaping, to provide an aesthetic finish to the building, or to provide a view out into the city. Within the contents of each wall lies a story worthy of its own book, but one thing not all walls do themselves is tell a story. A wall is an open page for a story that reaches from end to end written in every crack or dent, each story as rich and unique as the wall down the street tells.
I am a fan of the visual arts, as expressed in other posts I am an avid fan of mural art in particular. Mural art or street art has unique flavor to it. Murals give life to lifeless walls, they share stories of the community in which it calls home, street art says the passersby “This is the story I must share, and you’re going to look at it no matter what!”
The walls of Austin, Texas share their own stories. Stories of love, stories of loss, stories of the past, and stories of hope. From simple messages like “I love you so much” or “Hi, how are you?” to an illustration of Pac Man being chased by his eternal ghost nemeses with the caption “Never give up!” To trippy murals of the Eye Doctor, or the quirky parrots of Dribs. Austin is home to some of Texas most talented street artists, each with their own unique style and their own stories to tell.
From commissioned art, to illegal tags, the Austin street art scene is bustling with creative minds looking for a canvas to create on. And with a wall, there’s a canvas of unlimited possibilities.
A simple square framing an album can tell you so much about its contents, from its genre to who the artist is. Unlike books, which tend to be in this state of publisher flux of what’s on the covers, albums seem to be in this eternal state of stagnation. This gives the artist and producers only one chance to capture the essence of the album in on their first go.
Today I want to talk not about albums that already exist, but albums that should exist because of some clever designer that decided to try their hand in album art. This post is an exploration in the stories told through a simple one-by-one square
Each one tells a different story, and I bet you guessed the genre off of the album too. Yeah some are jokes like the “Jeb.” parody of Kendrick Lamar’s “Damn.,” or the beaten horse of Loss edits, but that doesn’t take away from the atmosphere each cover provokes. “Hank” has the essence of a solo country album. “Momma Said Knock You Out” by the concussions holds the spirit of hip-hop in it. “Starman” comes off as an electronic heavy album, probably with a lot of synths.
Don’t judge a book by its cover, but a picture says a thousand words. Each of these squares, with a little clever editing can tell a whole story inviting you into its world.
My job is in utility engineering, primarily in transmission lines. Working on projects that are several miles long and expand all across a city has brings upon its own challenges. Our lines have to be designed not only with real tangible constraints such as the voltages and required clearances that go with them in mind or the tension applied to the conductor, but also constraints that have no true physical form, like property lines.
This back and forth between physical constraints and property lines makes an interesting dance of design. Your line could be perfectly suited to be built as cheap as possible for the given weather, but if a property owner says you can’t build on their land your whole design could fall apart. Now you have to account for the laws of physics and the laws of the land.
A recent instance of this happened a few weeks ago at work. A property owner wanted us to steer clear of their land, but there literally was no other way to go about it. So a compromise was made: I would set the poles just out of their property boundary, and to make sure that our conductor had a zero percent chance of ever falling onto their property I would design the poles to have arms as long as possible. Normally this is fine, but this property was wrapped along a bend in a road.
Depending on how the conductor is wired the supporting structures will either undergo a pushing or pulling force into it, which causes the moment within your pole to increase, which then means you have to build a bigger pole with a bigger foundation, which mean that your foundation might end up encroaching on somebody’s land anyways. It pushed me between a rock and a hard place. Fortunately with a lot of fine tuning I was able to get the foundations just out the property lines.
Every field of engineering has its own set of unique constraints, utility engineering’s is a dance between the fundamental laws of nature and the legal laws of the land.